The Burlington House Cartoon about 1499-1500, Leonardo da Vinci width3143.8125height4225.921875x199y Leonardo Da Vinci depicts the Virgin Mary seated on the lap of her mother, Saint Anne wwith the Christ Child and infant Saint John. The Christ Child blesses his cousin Saint John the Baptist (the child on the right). Leonardo also treated the meeting of the two children in his two paintings of the Virgin of the Rocks. Both works are set in a wild mountainous landscape. Saint Anne’s gesture, her finger pointing to heaven, alludes to Christ’s future destiny. Since she does not look very old and seems intimately related to Saint John the Baptist, many scholars have proposed that she is Saint Elizabeth, the Baptist’s mother. However, there is no tradition of placing the Virgin upon Elizabeth’s lap, whereas Saint Anne was often represented in this way. Leonardo Da Vinci uses charcoal and white chalk to make the figures monumental and sculptural,however some parts are left in line outline.The simple perfection of these unfinished elements,most clearly seen in the hand of Saint Anne pointing towards heaven,suggests that the act of drawing can be seen as divinely inspired. This large drawing is a cartoon, that is, a full-size preparatory study for a painting. Usually, in order to transfer a design onto a panel, the outlines of cartoons were pricked or incised. This example is intact. It must have been preserved in its own right as a finished drawing, although some areas have deliberately been left inconclusive or in rough outline. A cartoon of a similar subject by Leonardo drew huge crowds when it was publicly displayed in Florence in 1501. This was probably made for the painting now in the Louvre, Paris. The National Gallery’s cartoon may have been executed slightly earlier in Milan, perhaps after the French invasion of the city. Many artists drew inspiration from these complex and atmospheric drawings.
Monday 14 May 2012
Leonardo Da Vinci The Burlington House Cartoon
The Burlington House Cartoon about 1499-1500, Leonardo da Vinci width3143.8125height4225.921875x199y Leonardo Da Vinci depicts the Virgin Mary seated on the lap of her mother, Saint Anne wwith the Christ Child and infant Saint John. The Christ Child blesses his cousin Saint John the Baptist (the child on the right). Leonardo also treated the meeting of the two children in his two paintings of the Virgin of the Rocks. Both works are set in a wild mountainous landscape. Saint Anne’s gesture, her finger pointing to heaven, alludes to Christ’s future destiny. Since she does not look very old and seems intimately related to Saint John the Baptist, many scholars have proposed that she is Saint Elizabeth, the Baptist’s mother. However, there is no tradition of placing the Virgin upon Elizabeth’s lap, whereas Saint Anne was often represented in this way. Leonardo Da Vinci uses charcoal and white chalk to make the figures monumental and sculptural,however some parts are left in line outline.The simple perfection of these unfinished elements,most clearly seen in the hand of Saint Anne pointing towards heaven,suggests that the act of drawing can be seen as divinely inspired. This large drawing is a cartoon, that is, a full-size preparatory study for a painting. Usually, in order to transfer a design onto a panel, the outlines of cartoons were pricked or incised. This example is intact. It must have been preserved in its own right as a finished drawing, although some areas have deliberately been left inconclusive or in rough outline. A cartoon of a similar subject by Leonardo drew huge crowds when it was publicly displayed in Florence in 1501. This was probably made for the painting now in the Louvre, Paris. The National Gallery’s cartoon may have been executed slightly earlier in Milan, perhaps after the French invasion of the city. Many artists drew inspiration from these complex and atmospheric drawings.
